We do collections advice. Whether it’s public, private, independent or technical advice, we can help.
Curate images, sound, and 3D assets. We can help you get it online or on to devices, and help study it too.
Engaging content from our unique perspective, wherever you need it. From museums to hotels to airports to offices.
We help organisations and networks to develop and change. Diversity, inclusion, leadership work? That too.
Research is our passion. Historical, museological, scientific, technological; it’s in our bones.
We excel in creating, developing, and delivering place-based and online training and courses.
This blog post is the transcript of a thought-provocation I made during the Plenary Session of the Museum Exhibition Design conference, Centre for Design History, University of Brighton, 11 September 2020. How have we as curators and exhibition designers been complicit in designing for the default supremacies in society while continuing to marginalise the marginalised?…
Curators need to question the purpose and value of heritage and history to their communities today, not for an unknown and undefined future generation. Over the last few months we have been commissioned to work on various professional development projects to address heritage and curatorial skills (Cornwall Museums Partnership Curatorial Interns funded by the John…
How can you make a solid, accurate record of an ancient monument for the archaeological record, whilst also making an accessible digital experience with novel ways to view the site highlighting its construction? We think that we’ve cracked it. Penwith Landscape Partnership asked us to capture 3D scans of four monuments as part of the…
The history of recorded sound goes right back to the 1850s with the invention of the phonautograph, a machine that used a rotating drum, a feather, some soot, and a funnel to record the vibrations of the human voice. The machine was based upon the construction of the human ear. It could not play back…
Curating narrows the gap between creating knowledge and communication. Our philosophy is inspired by the concept of creating collections of things. The act of collecting is about constructing knowledge (information and emotional) through explanation and stories.
Possessing that knowledge bestows a person power. It is the curator’s purpose to share that knowledge (and its power) as widely and equitably as possible through brilliant communication and interpretation.
Read more about our philosophy on curating.
What we provide
Digital and place-based course development for colleges, adult education, universities, individual organisations and groups. We have developed and are delivering a major work-based curatorial training and museum awareness course for Cornish museums called Citizen Curators on behalf of Cornwall Museums Partnership, supported by the Museums Association Esmée Fairbairn Collections Fund.
We help organisations analyse information and explore new subjects. Recently we have helped Historic England to update a guide to good practice and communicate shipwrecks to non-divers through 3D imaging on Sketchfab. Our research into medieval inscriptions has helped archaeologists at Tintagel to read words hidden for a thousand years.
Support for undertaking organisational change, leadership development and diversity and inclusion work. Our Director is an Accredited member of the Association of Facilitators and we have led facilitation events for the National Trust, Arts Council England and contributed insights to the Cultural Governance Alliance led by the Clore Leadership Programme.
Curate it all…
…food, clothes, garden, music, colours, lights, writing, your room.
Good curating gives meaning to the choices you make when you choose, select and arrange.
It determines the ideas, people and stories you really care about.